As you might expect if you've read 15 pregnancy books, I'm having some pretty vivid dreams lately. Last night's was funny.
I was invited to a party at a co-worker's house for her birthday. As I got there and got the presents out of the car, I realized with horror that I had eaten one of the truffles I'd gotten her, and it was in a box that showed the empty spot. I rooted through the other gifts (all were chocolates) to find one to replace the original one I ate, and I ate ANOTHER one! Then it sort of morphed into another part of the dream.
Notorious girl gang The Riff Randals was either extorting me or I owed them money for something, and they had instructed me to be near another co-worker's cell phone at a certain time. It rang, and they started asking me (it's code, mind you) whether I wanted to make a donation. I was asking what it would be as a lump sum rather than in monthly installments, when the operator cut in (the government monitors all phone calls, you see) and a recorded voice said "Crime detected. Your call is being disconnected."
Well now I was worried, because I somehow had to get the money to The Riff Randals. Luckily my friend actor Seth Green (in drag) remembered that we were all able to fly on broomsticks, which we promptly set off on. Then there was some lame sit-com-y stuff about telling people to duck as we went under bridges. Then I woke up.
In reality, The Riff Randals are a punk band I like and I DID eat a friend's chocolate. When Guitargirl and I went shopping Saturday for shower goodies, we bought a BUNCH of candy, mostly chocolate, for the favor bags. And most of it is the kind I really like. Bags and bags of candy I like have been sitting on the kitchen table for five days, and yesterday I ate one. Just one truffle! But I must have been feeling guilty.
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Okay, new topic! I'm teaching the novel "The Wind-Up Bird Chronicle" by Haruki Murakami. I've been teaching symbolism and yesterday I switched over to archetypes. Basically, I try to give the kids a whole bunch of tools to unlock the text without giving them my interpretation. And as I was refreshing my memory as to all the different archetypes, my brain exploded.
I went OHMYGOD! The trip down the well is totally a descent into the underworld, and Mr. Honda is the wise old man and Noboru is the devil figure and each of the four women in Toru's life is a different aspect of the female archetype and he's on a quest through Hell to retrieve his Beatrice OHMYGOD it's the fucking INFERNO!!
And now I'm going to have difficulty keeping that reading from the kids, because I'm so sold on it. I want to write a paper on it. I want to go back and re-enroll in graduate school just to pop off with this shit in a seminar class.
Which is a little overboard, but that IS what I like so much about studying literature. As a reformed Lit major, I think I'm like most of us: I read a book for the pleasure of it, sometimes I'll make some connection to an archetype, or I'll appreciate a symbol, or I'll recognize an allusion, and I appreciate that special relationship I have to literature. But most of the time, I just dig the story. But what I liked about really studying a text was when your mind got blown by all that STUFF. All the meanings you could assign to it. Because in the end, it is about you and what you think. That's what math and science people hate about lit -- there's more than one answer.
See, someone could come along and say: OHMYGOD it's totally about Freud! When Toru goes down into the well, he's going into a yonic symbol and when he's leaves it, he's experiencing a spiritual rebirth, and in fact, he comes out changed! He has a new birthmark!
And then someone else could go: OHMYGOD! He goes into the well for three days, and at the end of it he rolls away the cover, and exits and he's TOTALLY a Christ figure!
See what I mean? They're all relatively convincing (especially for me having just made them up just now), and they could all be right in their way. They give meaning to the text that's additional to the story. It's so FUN.